Tag Archives: Cuba Archive

Cuba for Foreign Correspondents and College Professors (a Hamilton parody and a history lesson)


[Illustration: Garrincha].

In December 2017, inspired by Lin-Manuel Miranda’s Hamilton: An American Musical, I recreated Fidel Castro’s history as narrated by the Cuban people he subjugated for over five decades of dictatorship. (You can listen to that song here; trigger warning: it is in Spanish.)

Last week, using the same song, I wrote “Cuba for Foreign Correspondents and College Professors,” those two demographic groups that, in spite of the overwhelming evidence, continue to give the benefit of the doubt to the Castro regime, which was recently inherited by Miguel Díaz Canel.  

I have a couple of friends who have already included the song in their history unit on Cuba, alongside my articles “Cuba and the Art of Repression” and ”A Tale of Two Cities.” (They teach in middle and high school. So, come to think of it, this is really for educators K-16.) Feel free to include all these materials in your curriculum!

Cuba for Foreign Correspondents and College Professors

Music: Lin-Manuel Miranda

Lyrics: Alexis Romay

How does a violent person who came to power

by shooting people, starting in the 50s,

and ruined the hopes of the Cuban nation

somehow manage to gain your admiration?

The Firing Squads he ordered, ala KGB,

became our terror when shown on live TV.

By the early 60s, people were afraid.

Many chose to flee. Many chose to stay.

He called a meeting with Cuban intellectuals.

His gun was in his holster. 

He placed it on the table.

He was a horror show, 

presented as a fable.

He created labor camps 

to “reform homosexuals.”

The camp’s motto was: 

“work will make you men.”

He also was a racist

What don’t you understand?

He wanted to harvest 

ten million tons of sugar cane.

(The effect on the economy 

was worse than a hurricane.)

He brought the world to the brink 

of nuclear annihilation,

but the will of the Cuban people 

wasn’t on the equation.

In fact, the will of the people 

has never been considered.

Castro’s dynasty bloomed, 

while the country withered.

Cuba IS a dictatorship.

Cuba HAS BEEN a dictatorship.

There’s only one legal party in the land.

Would you please take a stand?

Castro turned milk into powder, 

dreams into nightmares.

He forced Cubans to march 

in the streets and in the squares.

He invented these horrible 

“acts of repudiation.”

[Sotto voce] They are pogroms. 

They are an abomination.

He ruled with an iron fist. 

Raúl was by his side.

He made some strange bedfellows 

while looking far and wide.

Now that the documents 

have been declassified:  

He and Videla 

let their mutual crimes slide.

He loved sending Cuban troops 

to wars around the world.

He didn’t discriminate, 

he sent the young and the old.

Since he wanted to look 

like he was doing them a favor,

he also sent Cuban doctors 

to work as indentured labor.

He executed his generals

the ones who had done his bidding.

He terrorized our whole nation. 

I wish this was just me kidding.

He colonized Venezuela 

under Chávez and Maduro.

To the hunger in the present, 

he responded: “El futuro.”

On 2016, he showed 

that he was just a mere mortal,

and, for Thanksgiving that year, 

he crossed the final portal.

In Dante’s circle of Hell 

where the violent lament,

he’ll hear for eternity 

the Cuban discontent.

Oh, Fidel Hipólito. 

(Yes, that was his given name.)

We are so glad that you are not around.

Yet the repression is just the same.

Oh, Fidel Hipólito. 

History won’t be kind to you.

It will note that you used your henchmen

to impose your point of view.

History will not absolve you. 

You schmuck!

Cubans are in the streets

chanting “liberation,”

while the police enforce

their tactics of persuasion.

The New York Times applauded you

(didn’t call you a dictator).

Che killed for you.

(Did you kill him?)

Allende trusted you.

What about him?

And Díaz Canel…

is the idiot who quotes you.

Feel free to fact-check this song.

And retweet!

What was this about?

It was Fidel Hipólito.

Press release from Cuba Archive

20120713-114941.jpg

​We reproduce below our release of July 2007 on two massacres occurring in the month of July. Sadly, the Cuban regime enjoys continued impunity despite these and many other crimes against humanity. Let’s continue to ask the international community to demand accountability for the historic and ongoing crimes of the Cuban dictatorship and to assist the Cuban people in attaining all their rightful freedoms.

CUBA: JULY ANNIVERSARIES OF TWO MASSACRES — Unpunished, but not forgotten

July 6, 2007, Summit, New Jersey.

Among the most flagrant atrocities committed by the Castro regime in its long history of human rights’ abuses, two incidents stand out —the Canimar River Massacre of 1980 and the Tugboat Massacre of 1994. Both took place in the month of July and poignantly illustrate the Cuban leadership’s profound disregard for human life and their egregious violation of the fundamental right of citizens to leave their country.

On July 6, 1980 three youngsters hijacked an excursion boat that was to navigate inland along the scenic Canimar river flowing into Matanzas Bay. Surprised passengers screamed their approval to go to the United States, but the security guard resisted and shot at the youngsters, who wounded him with firearms clandestinely obtained from their military service. Concerned for his health, they sent him back to shore with a passenger who refused to leave. Alerted authorities commanded a chase. High-speed Cuban Navy patrol boats fired on the escapees and attempted to sink the vessel. Then, a Cuban Air Force plane overflew the boat and opened fire. Finally, most not yet wounded or dead drowned when a special boat used for heavy industrial work was brought in to ram and sink the vessel.

The excursion boat had capacity for one hundred passengers, yet only ten survived. Reportedly, there were at least 56 victims, including four children, ages 3, 9, 11, and 17. The actual number was kept secret and recovered bodies were not handed to the families, communal funerals forbidden. The Cuban government claimed it was an accident, but survivors were threatened with prison into silence and kept under surveillance for years.

Fourteen years later, on July 13, 1994, a group of around seventy family members and friends, including many children, boarded the tugboat “13 de Marzo” in the middle of the night planning to escape to the United States. As they made their way out of Havana’s harbor, three tugboats that had been waiting in the dark started a chase. Relentlessly, they sprayed the boat with high-pressure water jets, ripping children from their parents’ arms and sweeping passengers off to sea. Finally, the attackers rammed the “13 de Marzo” enough to make it sink. Passengers who had taken refuge in the cargo hold were pinned down and desperately pounded on the walls, the children wailing in horror, as they went down. Survivors who then clung to life in high seas, contended with the three pursuing tugboats circling them and creating wave turbulence and eddies for them to drown. The attack stopped suddenly when a merchant ship with a Greek flag approached Havana Harbor and Cuban Navy ships picked up survivors. Brought to shore, the stunned women and children were interrogated and sent home. The men were kept in detention for months and given psychotropic drugs. No bodies of the 37 victims (including 11 children) were returned to their families for burial. Survivors and relatives of the dead were denied information and put under surveillance. Many were dismissed from their jobs and systematically harassed by the authorities.

It later transpired that an infiltrator in the group had helped plan the operation to set an example with its violent suppression. The Cuban government claimed it was an accident and blamed it on the escapees and United States’ immigration policies. An international outcry prompted the government to promise an investigation, but instead it awarded the head of the operation, tugboat pilot Jesús González Machín, received a “Hero of the Cuban Revolution” medal. Requests by international organizations for information and redress have been all disregarded.

These and similar tragedies in Cuba remain largely ignored by world media and public opinion. Yet, the Castro regime has for decades systematically murdered civilians for trying to escape their country. Hundreds, perhaps thousands, may have been killed by government authorities for attempting to escape by sea, for seeking asylum in foreign embassies, or trying to cross into the U.S. Naval Base at Guantánamo. Today the U.S. Naval base in Cuba remains sealed off by barbed wire and mines, with Cuban border guards ready to shoot to kill. Cuba’s Penal Code punishes attempts to leave the national territory without government authorization with up to twenty years in prison or death. Over the course of decades thousands have served prison, under dire conditions, for these so-called crimes. Still today, a number of political prisoners are serving very long sentences for attempting to escape the country.

Cuba Archive calls on world governments, international organizations, and all people of goodwill to hold the Cuban government accountable for its crimes and demand respect for the fundamental rights of Cuba’s citizens to life, safety, and the right to leave their country at will.

See www.CubaArchive.org for details on victims of exit attempts. Website sections “Reports” and “Case Profiles” have detailed reports on both massacres and other cases. The Multimedia section has several short interviews narrating killings in exit attempts. The database has individual case records for all documented victims.

Open letter to the Smithsonian Institution

Open letter to the Smithsonian Institution

To Whom It May Concern:

The very prestigious Smithsonian Institution ranks amongst the most prominent cultural organizations in the United States and throughout the world. In its mission statement, it defines itself as “an Establishment for the increase & diffusion of knowledge.”

This mission statement, however, is contradicted by the fact that the Smithsonian Audio Collection distributes the entire catalog of Paredón Records. This recording company, owned by Barbara Dane, published between 1970 and 1985, “fifty albums that covered major left-wing and liberation movements on five continents during the turbulent years of the 1970s”.

Though not particularly my cup of tea, I have nothing against Ms. Dane’s taste in music or content. I strongly believe in freedom of expression, the same way I believe that we are all entitled to our own ideology, bigotry, you name it. What deeply disturbs me is the lack of sensitivity and cultural awareness of the Smithsonian Institution. I marvel at the fact that the beacon that pledges to increase and spread knowledge didn’t double check with any Spanish speaker, particularly Cuban, before deciding to carry this material in its collection.

“Paredón,” you see, is a word that has specific weight and very negative connotations. It means “Firing squad.” Paredón is a painful reminder of one of Cuba’s darkest episodes in recent memory. Starting on January 1959, Fidel and Raúl Castro, Che Guevara and their subordinates, presided over hundreds of kangaroo courts where the defendants were quickly found guilty, sentenced to death by firing squad, and executed within days if not hours of the verdict, while the masses on the streets clamored “paredón” in a blood frenzy unparalleled in Cuba’s history.

According to Cuba Archive –a non-partisan, non-profit organization that is developing a comprehensive registry of disappearances and fatalities of a political nature resulting from the Cuban Revolution– from January 1959 to December of that year, there were 770 documented cases of execution by fire squad.

Would the Smithsonian Institution carry the catalog of something called “Pogrom Records”? How about “Lynching Records”? Would they distribute those albums? The answer is probably no. And yet, if the blood to spatter the walls is Cuban and Fidel Castro is the responsible for the bloodshed, the exception becomes the rule and the ethical dilemma vanishes.

I expect nothing of Ms. Dane who “worked tirelessly to release unapologetically partisan, radical, and passionate recordings of singers, activists,” artists who probably didn’t know the meaning of the Spanish word paredón and how by recording under that label they would seem to be supporting death by firing squad without due process. But from the Smithsonian Institution, at the very least, a public apology and, moreover, a condemnation of this trigger happy esthetic seems to be in order.

Alexis Romay

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine